THINGS seemed to be going so well: The architect was a figure tailor-made for the heyday of bourgeois bohemia, and Frank Gehry was palling around with Brad Pitt.
But things changed, badly, and it's not clear now when, or how, they'll change back. Corporate firms are in some cases doing fine, and architects who design for the 1% are doing better than those who depend on civic projects, but many others are hurting.
The latest of my stories about the creative class in the 21st century -- part of Salon's Art in Crisis series -- just went up HERE. I spoke to a number of architects and observers to get a sense of this important but imperiled field.
This Week in Short Fiction
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